![]() And in a very clever sequence (a first-person flashback to her earlier encounter with the killer), Turi even reveals who (or what) it was that put Lisa in this situation. She eventually discovers that she is not alone, though those with her offer no help (one fellow traveler even chases her). Her journey through these tunnels takes up the majority of the film’s runtime, and it’s to director Turi’s credit that he keeps the tension at a fever pitch throughout like Lisa, we don’t know what she will encounter around each bend, what new danger will be waiting for her as she moves through this bizarre maze. Like the characters in Cube, Lisa (played superbly by Weiss) is thrust into a life-or-death situation against her will, and must act quickly - using both her brains and her brawn - if she’s to have any chance of making it out alive. With no idea where she is, who put her there, or what will happen when those 10 minutes elapse, Lisa starts crawling through the dark, treacherous tunnels, determined to do whatever it takes to survive this dangerous predicament. What’s more, there’s a timer attached to her wrist, which is counting down from 10 minutes. But where that earlier movie focused more on its unusual setting than its characters, this 2020 film strikes a nice balance between the two.įollowing a chance encounter with a possible serial killer (Peter Franzén), grieving mother Lisa (Gaia Weiss) wakes up to find herself trapped in a strange tunnel system packed with booby traps. ![]() ![]() As several critics have pointed out, writer / director Mathieu Turi’s Meander has quite a bit in common with 1997’s Cube.
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